Gladiator II – Why Can’t We Leave the Dead to Rest

18 November, 2024

What happened with the good old blockbusters? When Gladiator was released in 2000, during a golden age of mega productions like Titanic (1997) or The Lord of the Rings (2001–2003), it was the perfect artefact of its time – a sort of Platonic ideal of a blockbuster. Despite its flaws, it was the complete package: spectacle and digital effects, great masculine ideals wrapped in a neoclassical style, Oscar-worthy performances, a Hans Zimmer score (well, of course, how else?), and dozens of quotes still alive in pop culture today – from iconic images to at least two Pepsi ads. Ask the first man you bump into, and he’ll recite from memory: “My name is Maximus Decimus Meridius, commander of the Armies of the North, General of the Felix Legions, and loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my revenge, in this life or the next.”

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După ce patria sa este cucerită de împărații tiranici care conduc acum Roma, Lucius este forțat să intre în Colosseum și trebuie să se întoarcă în trecut pentru a-și găsi puterea de a reda gloria Romei poporului său.

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Graduated with a BA in film directing and a MA in film studies from UNATC; she's also studied history of art. Also collaborates with the Acoperisul de Sticla film magazine and is a former coordinator of FILM MENU. She's dedicated herself to '60-'70s Japanese cinema and Irish post-punk music bands. Still keeps a picture of Leslie Cheung in her wallet.