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In the Golden Light of Memory: On Annie Ernaux and ‘The Super 8 Years’

How personal is an archive and what kind of truth does it contain? An essay based on the documentary "The Super 8 Years" and the writings of author Annie Ernaux.

by Deniz Otay / Features

F1, the movie: Marketing at Its Best

Read Dragoș Marin's review about F1 the movie, which apparent realism of its technical simulation clashes heavily with the utterly implausible story.

by Dragoș Marin / Film reviews

Béla Tarr’s Lessons in Filmmaking

Here are some great notes from the director's masterclass at TIFF.

by Anca Vancu / Features, Festival focus

In the Golden Light of Memory: On Annie Ernaux and ‘The Super 8 Years’

by Deniz Otay / Features

F1, the movie: Marketing at Its Best

by Dragoș Marin / Film reviews

Béla Tarr’s Lessons in Filmmaking

by Anca Vancu / Features

TIFF Journal: Cluj, films, and all in between

by Dan Panaet / Features

[P] IQOS brings Irina Rimes & Marius Tolici at TIFF

by Films in Frame / Festival focus

2001: A Space Odyssey – Cosmic Ballet

by Victor Morozov / Film reviews

Yes – Jerry Lewis in Israel | Cannes 2025

by Victor Morozov / Film reviews

Romería – And Their Children’s Children | Cannes 2025

by Victor Morozov / Film reviews

Panahi, Anderson, Diaz – Ship of Fools | Cannes 2025

by Victor Morozov / Film reviews

Video

Emilia Dobrin on ‘The New Year That Never Came’

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60 seconds with Andrei Cohn

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60 seconds with Anca Vancu

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Emilia Dobrin on ‘The New Year That Never Came’

Cele mai citite

Best Romanian films of 2021

by Redacție / Features

The Most Anticipated Romanian Films of 2025

by Ionuț Mareș / Features

TIFF Journal: Cluj, films, and all in between

by Anca Vancu / Features

The Best Romanian Films of 2024

by Redacție / Features

Kontinental ’25 by Radu Jude | Kind reminder: It’s Time to Die

by Călin Boto / Film reviews

În căutarea unui eTIFFanii: filme de neratat la Cluj

by Redacție / Features

F1, the movie: Marketing at Its Best

by Dragoș Marin / Film reviews

Béla Tarr’s Lessons in Filmmaking

by Anca Vancu / Features

Sirât – Sad Max | TIFF 2025

by Victor Morozov / Film reviews
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