Merci d’être venu – Works and Days

The Dreamed Adventure – The Rakia Meridian

Paper Tiger – Ancient Tragedy

Les Roches rouges – Scribbles and Antics

Fjord – Between Scylla and Charybdis

The Diary of a Chambermaid – The Servant of Two Masters

Before the Revolution: A Retrospective of Italian Political Cinema

America, America

Ken Jacobs, A Dealer in Remnants

Guillaume Marbeck, pure Godard

The Striking Isidore Isou

Dangerous Animals – Of Men and Fish

Simple Gestures | FIDMarseille 2025

Restless Grace: Katharine Hepburn at Il Cinema Ritrovato

2001: A Space Odyssey – Cosmic Ballet

Yes – Jerry Lewis in Israel | Cannes 2025

Romería – And Their Children’s Children | Cannes 2025

Panahi, Anderson, Diaz – Ship of Fools | Cannes 2025

Nouvelle Vague – Mythologies | Cannes 2025

O Agente Secreto – People Before Google | Cannes 2025

Corneliu Porumboiu’s Treasures

Godard. Shapes and Colours

Emilia Pérez – Corpus Politicum

Gustave Caillebotte: New Ways of Gazing

Megalopolis. Almighty Coppola

Trump Card: How Donald Trump Became the Undisputed Star of Audiovisual Media

Tata – You Only Have One Father

Miséricorde – Desire in Landscape

The Tiger in the Room: On the Columbia Pictures Retrospective at Locarno77

Sleep #2 – The Eternity plus a Day | Locarno 2024

Eight Postcards from Utopia – The Time Machine | Locarno 2024

“We are ridiculous and don’t know it.” When film critics look at the Olympics

Merman – Scenes of Local Life | FIDMarseille

Bucharest in Romanian films: from Cristi Puiu’s Aurora to Radu Jude’s Bad Luck Banging or Loony Porn

How to Have Sex – Love Island

An Afternoon with Claire Simon

Passages – Modern Love

Recovered Destinies: Romanian films at IFFR 2024

A Brighter Tomorrow – Perseverance

I work, I write – and for Whom? Some thoughts on a Workshop Dedicated to Film Criticism

On the Adamant: The Imprint of Friendship

On the Radical Periphery of Cinema: BIEFF 2023

Niki and Flo – Two Weddings and a Funeral | Kinostalgia

Charles Tesson, film critic: “What I like about a film is feeling the necessity that brought it into being”

Tour de France: Unchained – Cycling without Cycling

Afire – Summer’s almost gone

Dog Day Afternoon – The Post-Meridian of a Visionary | Kinostalgia

El sol del membrillo – The Traces of Time | Kinostalgia

È pericoloso sporgersi – Farewell, My Dearest Camp!

The Night of the 12th – The Purgatory of a Police Precinct

Psycho – Mommy Issues | Kinostalgia

Beirut, Open City | City Symphonies

Mes petites amoureuses – The age of indecency | Kinostalgia

The Eye of God

Aftersun – All Inclusive

À nos amours – Static electricity | Kinostalgia

The East Affair: Two leaders and plenty pictures

Argentina: The Land of Fire and Ice | City Symphonies

Shanghai Express – The White Flower of China | Kinostalgia

Between the blocks: East Berlin | City Symphonies

Gate to the South: Back to Marseille | City Symphonies

People Like Us

The Godfather of Suspense

Same Old Theme?: Back to Belfast | City Symphonies

Godard. „I was this man who roamed paradise in a dream”

Caravaggio – Dirty Pirate

Regard to Ukraine| Anonimul 2022

Chocolat – Memories of Africa

FIDMarseille – Passing Impressions

Mariupolis 2 – The Spectral City

Parisian Correspondence (May-June 2022): Back to realities

The Mother and the Whore – Blackstar

Preliminary notes on the images of an ongoing war (2)

Paris Correspondence (April-May 2022): Springtime at the French Cinematheque

Unspoken Pain

André Bazin or the Grace of the Gaze

Paris Correspondence (March-April): Retrieving the Big Screen

Lola – A Love Story

Preliminary notes on the images of an ongoing war

Parisian correspondence (February-March 2022): Nature, War, Image

You Are Mutzenbacher To Me | Cinéma du Réel 2022

The Long Farewell — Mother and Son

Ghosts, Memories, Photographs

Parisian Correspondence (January-February 2022): Cinephile Journeys

Éloge de l’amour: Clandestine Dialogues

Parisian Correspondence (December 2021): Sécession cinéma, mon amour

Paris Correspondence (november 2021): Old Masters

Sunday Bloody Sunday – The Pains of Love

Paris Correspondence (November 2021): Enfin le cinéma!

Paris Correspondence (October-November 2021): The Arhipelago of Cinema

The Long Day Closes – Return to Liverpool | Kinostalgia

Benedetta – To Whistle in a Church | Les Films de Cannes à Bucarest

Paris Correspondence: September-October 2021

Val Abraham – A Beautiful Life

Chess of the Wind – The Palace’s Machinations

Summer of Soul (… or, When the Revolution Could Not Be Televised) – An alternative Woodstock | BIDFF

ANONIMUL 2021. Festival Journal

Yellow Cat – The Ages of Innocence | Anonimul Film Festival

Two Romanian short films from Cannes, screening at Anonimul Festival

Peau d’âne – A wonderful world | Kinostalgia

CANNES 2021: Întregalde – Passing Through

Bonnie and Clyde – In the headlights | Kinostalgia

The Scent of Green Papaya – Vietnam Song | Kinostalgia

Pierre Perrault’s Shimmering Beasts | Kinostalgia

Cunoașteți westernul?

We Can’t Go Home Again – Nicholas Ray, The Stranger | Kinostalgia

Entranced Earth – Three miserable politicians | Kinostalgia

Et la vie – Denis Gheerbrant goes on the Tour de France

The Squid and the Whale – This Side of Paradise

The Delta of Bucharest – Layers in Time

Dernier maquis – Amidst the forklifts

The Illumination – A Little Life

Teach – A different kind of school

AIFF.4. Residue – Home, on the Field of Armageddon

Charles mort ou vif and E nachtlang Füürland – A Swiss Tour

One World Romania 2020. A Lua Platz – Listen to their defeats

TIFF 2020. The August Virgin – Spanish summer

The Little ShortsUP Picnic in four short films

John From – Slacker

Killer of Sheep – Black Light

Oslo, August 31st – Terminus

Historias extraordinarias – The Key to All Stories

Homeland: Iraq Year Zero – Amongst Ruins

The Stalinist Postscript

Ukraine, Year Zero

The arrival of the last train

Utopia and repression in the Indian jungle

The Romanian Nation – A List of Ingredients