Hlynur Pálmason, on Godland: “I wanted the film to slowly exhaust you, to seep into your bones” Interviu
Ira Sachs: “The industry of American independent filmmakers in which I started has disappeared” Interviu
Andrei Cohn on ‘Holy Week’: “What interested me was this vicious cycle of hatred that we don’t know how to break” Festival focus25022Interviu
Interview about a film that does(n’t) exist: Fabrice Aragno, on Jean-Luc Godard’s Drôles de Guerres Interviu
Celine Song: “It’s not the kind of marriage that is good because everything is fine, it’s a great marriage because it’s real” Interviu
Bas Devos: “The more a filmmaker looks with generosity to the world, the more I will likely appreciate their work” Festival focus25022Interviu
Radu Jude: “I’ve become more and more interested in the aesthetics of an unfinished product” Interviu
Charles Tesson, film critic: “What I like about a film is feeling the necessity that brought it into being” Interviu
