Sometimes it happens that two big productions, similar in terms of premise, tone and approach, are both launched in the same year, in some cases even just a few weeks apart. This is also the case of The Nevers, Joss Whedon’s return to television productions after having spent more than a decade in the world of Marvel blockbusters, and of the Netflix series The Irregulars. Both start off from a strange phenomenon that ends up endowing a hand of marginals from Victorian-era London with superpowers, thus endangering the classism of the elites.

Ștefan Dobroiu

+ posts

Born in Piteşti, Romania, in 1980, Ştefan is a graduate from the University of Bucharest, with a degree in Journalism and Communication Sciences. After trying his hand with financial journalism and photography (the latter still being very close to his heart), he put his career on a new path in 2006, when he became the senior editor of Cinemagia. He is also the Romania and Bulgaria correspondent for Cineuropa.org. At Films in Frame he recommends monthly the newest film trailers.

This author does not have any more posts.