The multicolored caravan that is the Tour de France makes an eight-episode-long detour through the well-worn paths of Netflix. This is an opportunity for the chronicler to check, all across the notes in his viewing diary, the state of the relationship between cycling and cinema, these two all-consuming passions that have seen the light of day almost simultaneously, back when the world was still a romantic place. 

Victor Morozov

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Film critic and journalist; writes regularly for Dilema Veche and Scena9. Doing a MA film theory programme in Paris.

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