Within the cinematic landscape of biopics, Napoleon is a paradoxical attempt; a film lasting over two and a half hours in which Ridley Scott's ambition to paint a parodic yet grandiose portrait of Napoleon is mostly pulverized by the errors of its script, and the production - however decoratively spectacular - fails to hide the film's contrived notes.

Ramona Aristide

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Film critic. She graduated from Filmology at UNATC. She writes and sometimes moderates discussions.

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