Richard Linklater’s new film revisits the making of Jean-Luc Godard’s legendary 1960 debut, “À bout de souffle.” A parable about cinema’s immortal freedom, filtered through the mayonnaise-and-ketchup sauce of today’s festival circuit.

Victor Morozov

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Film critic and journalist; writes regularly for Dilema Veche and Scena9. He studied film theory in Grenoble, Paris, Dublin.

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