Sleep, death, and anti-film: Radu Jude, Andy Warhol, Apichatpong Weerasethakul, Carlos Casas, and Yuri Ancarani
This text is part of a series of invitations initiated by The Film Gallery to young writers to reflect on Radu Jude’s 'Sleep #2' (2024), presented as a video installation in Paris from September 22 to October 4. The exhibition marks Jude’s entry into the field of gallery-based work and runs alongside a full retrospective of his films at mk2 Bibliothèque × Centre Pompidou (23 September - 11 October). A second exhibition by Radu Jude, 'The Exit of the Trains', developed with Adrian Cioflâncă in collaboration with the Centre Pompidou, will open on October 9 at The Film Gallery.
Larisa Oancea
[:ro]Larisa Oancea este istoric de artă și cercetător independent. Lucrează între Veneția și sudul Franței. Este doctor în istoria și teoria artei (Universitatea Națională de Arte din București) cu o teză despre influențele artei renascentiste asupra cinematografiei europene, de la Serghei Eisenstein la Peter Greenaway. Formată atât ca istoric de artă, cât și ca antropolog, cercetările sale investighează intersecția artelor vizuale cu alte discipline și importanța noțiunii de montaj în practicile interdisciplinare.[:en]Larisa Oancea is an art historian and researcher working between Southern France and Venice, Italy. She holds a Ph.D. in Art History and Theory from the National University of Arts in Bucharest, where her thesis explored the influence of Renaissance art on European cinema, focusing on directors such as Serghei Eisenstein, Peter Greenaway, Andrei Tarkovsky, and Pier Paolo Pasolini. With a background in both art history and anthropology, her work examines the intersection of the visual arts with other disciplines, emphasizing the role of “montage” in interdisciplinary practices.[:]
