A material by Victor Morozov about what a „capital of cinephilia '' means anymore and about the pleasure of „travelled cinema”, as critic Serge Daney called it. A parisian correspondence which proposed to relive freshly-seen films, telling the story of fugitive impressions that do not have the pretense of being exact, but that might yet have something to say about a passion. The format will be free, personal, and will only abide by one cardinal point: cinema.

Victor Morozov

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Film critic and journalist; writes regularly for Dilema Veche and Scena9. Doing a MA film theory programme in Paris.

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