Mar del Plata 38: Cinema and Democracy

The Walls Can Talk – Inside the Cave

Strawberry Fields | The retrospectives at Viennale 2023

The Taste of Things: No Love Sincerer Than…

MMXX – Does anyone have a Nokia charger?

Master Gardener – American Landscaping

Don’t Expect Too Much From the End of the World – The Living and The Dead

(Română) 1:10 – CNC-ul și excluziunea sistematică a femeilor

Bonne seance! | Cannes 76: an analysis

Anatomy of a Fall: I don’t know what you heard about me… | Palme d’Or

The Zone of Interest, by Jonathan Glazer: Treatise on Abomination | Cannes 76

Killers of The Flower Moon, Martin Scorsese: The Burning Plain | Cannes 76

On mental health in the Romanian film industry | The State of Cinema

IndieLisboa 20: Postcard from Lusitania

Visions du Reel 2023: The spark of (non-)fiction

In The Shadow of Trees: the seasons of Kiarostami

To the North: a discussion with Mihai Mincan and George Chiper-Lillemark

Berlinale 73: The Bookkeepers and The Filmmakers

Mammalia and Between Revolutions | Berlinale 2023

Festival Diary: Berlinale 2023

Pier Paolo Pasolini’s Writings on Literature and Arts: the language of cinema, the language of life

Corsage: Beyond biography

Luminescences from the Philippines | Ji.hlava 26

Viennale 2022: The Fires of Cinema

Festival diary: Astra 29

Vortex: Chronicle of a Death Foretold

Zuhal – Meow | Anonimul 2022

Kammerspiele: Romanian Shorts at Anonimul 19

Feature Film About Life: Mourning Diary | TIFF 2022

Godland: The Holy Spirit | TIFF 2022

Cannes 2022. Black and White

Cannes 2022 | The Stars at Noon – Delirium

R.M.N. – On society’s terminal illnesses

L’Îlot: a certain regard | Visions du Réel 2022

Echoes of the recent past: on “Maidan” and “Close Relations”

Rotterdam 2022: 5 Emerging Talents

The Island – Crusoe goes to Lampedusa

The Power of the Dog – Wolves in sheep’s clothing

Sympathy for The Devil: Bruno Dumont, despre „France” | Viennale 2021

A reflection of a reflection of a reflection: You Are Ceaușescu to Me | Ji.hlava 25

Aloners. On solitude | San Sebastian 2021

Locarno 2020. Zeros and Ones – Minus and Minus Equals Plus

Archives as testimonies. Raluca Durbacă discusses “The Certainty of Proabilities”

Postcards from Annecy ’21

Relativity: Oberhausen 2021

Home is a space in time: Visions du Réel 2021

Pandemic aesthetics | Berlinale.71

Petite Maman: Tout petit, mais très fort | Berlinale.71

Bad Luck Banging or Loony Porn: Wow | Berlinale.71

Dispatch from a digitalised world: IFFR 2021

Audiovisual in Opposition: an interview with Irina Trocan

Finding the „you” in „me”: an interview with Naomi Kawase

BIEFF.10. Nostalgia as a political tool: a talk with Jorge Jácome

Mihai Mitrică discusses Animest 2020: „Ours was a happy case, compared to similar events”

Survey: How did the reopening of Romanian cinemas look like?

One World Romania 2020. Adrian Cioflâncă discusses “The Exit of the Trains”

BIDFF 2020. The politics of dance: an interview with Patrice Nezan

One World Romania 2020. Heimat ist ein Raum aus Zeit

TIFF 2020. 5 female-directed shorts

TIFF 2020. Tudor Platon discusses “House of Dolls”

Female gaze(s): On F-Sides, with Ioana Diaconu and Alexandra Lulache

In other words: an interview with Corneliu Porumboiu

Cinema Elvire Popesco, en plein air: a discussion with Ioana Dragomirescu

Cinem@acasă: visions of isolation

Oberhausen 2020: on manifesting

Interview: Andrei Dăscălescu discusses his lockdown documentary

An Unusual Summer. Notes on surveillance video

Survey: How has the COVID-19 crisis affected the Romanian film industry? Part II

Survey: How has the COVID-19 crisis affected the Romanian film industry? Part I

Berlinale 2020: Valeria Sarmiento, on “The Tango of The Widower and its distorting mirror”

Dorian Boguța and Irina Rădulescu, on The Legacy

On Uppercase Print, with Gianina Cărbunariu, Ioana Iacob and Șerban Lazarovici

The Oak: the Story Behind the First Ever Romanian Restoration

Videograms of a Nation: How to (re)evaluate a national cinema

Between “Shadows” and “Scarred Hearts”: an interview with Șerban Pavlu

From Bazin to the present. An interview with Andrei Gorzo – part II

What do we talk about when we talk about film criticism? An interview with Andrei Gorzo – part I

“No means no”. An interview with Dana Rogoz and Radu Dragomir about Mo

Time crystals. An interview with Nora Agapi, about Timebox

Confrontations. On Monsters, with Judith State and Cristian Popa

La Gomera – La Nouvelle Vague est morte, vive la Nouvelle Vague!

50 years from ”The Reenactment”